|
THURSDAY, 12th APRIL |
| 9.00-9.30 |
Registration and coffee |
| 9.30-9.45 |
Conference Opening |
| 9.45-10.45 |
Paper sessions 1: Education
Chair: Catherine Laws |
|
J Murphy McCaleb |
Teaching through ensemble performance |
|
Andrea Schiavio |
A conceptual framework for interactive music learning |
|
Mary Black |
‘Crystal clear’ OR ‘As clear as mud.’ Verbal Imagery as successful communication between singers and choir directors. |
| 10.45-11.10 |
Coffee Break |
| 11.10-12.30 |
Paper session 2: Reflection on practice
Chair: Freya Bailes |
|
Evgenia Roussou |
Professional piano accompaniment practice in Western art duo ensembles: A conceptual framework |
|
Cecilia Oinas |
Ensemble performance shaping formal boundaries |
|
Rujing Huang |
The “Everything Else” Ensemble: On collective musicking of the amateur kind |
|
Christoph Seibert |
The performer’s experience in a contemporary music ensemble – a longitudinal field study |
| 12.30-13.30 |
Lunch
|
|
| 13.30-14.30 |
Keynote: Peter Keller:
The psychology and neuroscience of musical ensemble performance
(via livestream)
Chair: Renee Timmers |
|
14.30-15.00
|
Seminar: Chris Terepin:
“Perfect ensemble”: Historical paradoxes in the rhetoric and practice of quartet playing Chair: Helena Daffern
|
|
| 15.00-15.20 |
Coffee Break |
| 15.20-17.00 |
Paper session 3: Rehearsal
Chair: Luke Windsor |
|
Su Yin Mak, Hiroko Nishida and Daisuke Yokomori |
Metaphorical usage in the rehearsal communication of two professional string quartets |
|
Nicola Pennill and Sara D'Amario |
Development of rehearsal interactions in a newly-formed vocal quintet |
|
Jane Ginsborg and Dawn Bennett |
Developing familiarity: Rehearsal talk in a newly-formed duo |
|
Elaine King |
Understanding communication and interaction in ensemble playing |
|
Cayenna Ponchione-Bailey and Eric Clarke |
Technologies for investigating large ensemble performance |
|
|
FRIDAY, 13th APRIL |
| 9.00-9.30 |
Arrival and coffee |
| 9.30-10.50 |
Paper session 4: Timing and synchronization
Chair: Luke Windsor |
|
Kelly Jakubowski, Rainer Polak and Nori Jacoby |
Aesthetic preferences and perceptual discrimination of microrhythmic variations in music: A comparative study across three cultures |
|
Martin Clayton |
Interpersonal entrainment and coordination in music ensembles |
|
Sara D'Amario, Helena Daffern and Freya Bailes |
A study of the effects of music training and performance experience on perceptions of singing ensemble synchronization |
|
Tommi Himberg, Julien Laroche, Simone Dalla Bella and Asaf Bachrach |
‘Rhythm battle’: a novel task for studying group entrainment, cohesion and resilience |
| 10.50-11.10 |
Coffee Break |
| 11.10-12.30 |
Paper session 5: Gesture
Chair: Ryan Kirkbride |
|
Tuomas Eerola and Kelly Jakubowski |
Characterisation of periodic movements in diverse musical ensembles |
|
Kerstin Frödin |
Champs d’étoiles: Studying gestural interaction in musical performance |
|
Cory Meals |
Questions of lag: An investigation of sonic response to conductor gesture |
|
Hedvig Kjellström and Anders Friberg |
Sentiment interpretation in musical conducting - a machine learning study |
| 12.30-13.00 |
Poster presentations with 'quickfire' round* |
| 13.00-14.00 |
Lunch (and posters)
|
|
| 14.00-14.45 |
Keynote: James Saunders: Group behaviours as music
Chair: Renee Timmers
|
|
14.45-15.30
|
Workshop 1: Daniel Galbreath and Gavin Thatcher: Encountering the singing body: Vocal physicality and interactive expression Chair: Catherine Laws
|
|
| 15.30-15.50 |
Coffee Break |
| 15.50-17.10 |
Paper Session 6: Social well-being
Chair: Nicola Pennill |
|
Alana Blackburn |
The impact of group identity on the social dynamics and sustainability of chamber music ensembles |
|
Kathryn King |
Ministry of sound: consonance, dissonance, and the making of music in an English parish church |
|
Wendy Moy |
Come together: An ethnography of the Seattle Men’s Chorus Family |
|
Juliana Moonette Manrique and Angelina Gutiérrez |
Ensemble singing for well-being and social inclusion: A music-based social action research about street children in Southeast Asia |
| 17.10-17.25 |
Break |
| 17.25-18.10 |
Workshop 2: Michael Bonshor
The Confident Choir: Teamwork, team leaders and team building Chair: Freya Bailes
|
|
| 19:00 |
Dinner, and performances from The Assembled and T.Y.P.E |
|
|
SATURDAY, 14th APRIL |
| 9.00-9.30 |
Arrival and coffee |
| 9.30-10.50 |
Paper session 7: Creativity and communication
Chair: Renee Timmers |
|
Ryan Kirkbride |
Together in cyberspace: Collaborative live coding of music |
|
James Williams |
Art and collaborative composition: How designing musical notation in therapeutic arts workshops facilitates creative interaction towards social wellbeing. |
|
Catherine Laws and Liz Haddon |
Playful production: Collaborative devising in a music ensemble context |
|
Michael Bonshor |
Mirroring, modelling and emotional contagion: the impact of non-verbal communication upon choral confidence |
| 10.50-11.10 |
Coffee Break |
| 11.10-11.50 |
Paper session 8: Ensemble interaction
Chair: Sara D'Amario |
|
Emily Payne and Philip Thomas |
Ensemble interaction and group dynamics in indeterminate music: A case study of Christian Wolff’s Exercises |
|
Laura Bishop and Werner Goebl |
Beyond synchronization: How and why do ensemble performers communicate? |
| 11.50-12.30 |
Roundtable discussion - Ensemble performance: Research trends and implications
Chair: Renee Timmers
|
|
|
|
|
|